I’d love to tell you about
all the amazing gigs I’ve been to in the last 25 years; from standing in front
of one musical idol – I am Kloot’s John Bramwell – in the Half Moon Pub in
Putney, able to exchange conversation, to magical times watching so many other
heroes – Dylan, Neil Young, Bowie, Floyd, Ryan Adams, Springsteen - to eventually bowing to pressure from my wife
and children in the nose-bleed section of the O2 and dancing to Madness, only
to prompt my daughter to humiliate me by laughing raucously at my
running-on-the-spot-ska-style-dad-dance.
I’d love to share those
good times with you, but I won’t. I
don’t do “good times” in this blog. I’d
only bore you. You have your own and shouldn’t
give a casually neglected shit about mine.
So, I will stay close to form and share with you the BAD bits; because
even when the concert is good, there are usually GIG BASTARDS to dribble some
piss on your soul.
What prompted this grumpy
reflection was watching the Stones at Glastonbury last week. No, I didn’t go. No, I didn’t want to go. I saw them in 1990 and, like anyone else who
has done so since the late ‘80s, did so because I thought it would be my last
chance. I looked upon that crowd of
young, huddled, lost-in-the-moment festival goers and thought THANK FUCK I CAN
WATCH THIS ON TELLY. Oh, it’s not as
good as being there, you say? Well,
true, I don’t have some selfish 20 year old on her boyfriend’s shoulders obscuring
the view of the TV screen. Nor a
flag-waving cunt with an equally retarded sense of social circumspection. I don’t have an over-malleable plastic
container of warm beer that I queued 30 minutes and paid £7 for. And I don’t need to cut a path of polite
excuse me’s through 500 people to take a communal piss in a trough which affords
the user a free unsolicited steam facial.
My sofa was better than being there.
Not always the case of
course. Being there IS usually what it’s
all about.
Not when I saw Oasis at
Wembley in their final year, though. A
series of external factors were at work anyway that night. It was midweek. I was driving and therefore sober. I waited outside the tube for my
brother-in-law and gazed with appalled disgust at a steady stream of the worst
kinds of tossers you’d ever see at a gig.
Mouthy, swaggering, drug-pushing, aggressive, laddish, evolution-by-passed arseholes.
We watched the gig from the rear of the pitch in order to avoid the
worst of the beer-hurling moshiment of these fucking apes, and this meant
essentially viewing the concert on TV screens, as Liam and Noel were mere pin-pricks
on the horizon. (A superfluous use of
the word PIN there perhaps.)
A million miles away, on
the opposite end of this spectrum of Gig Bastards, was proof that one seemingly-innocuous
man has equal capacity to spoil your night as a thousand
geezers. Don’t laugh, but I went on my own to see
Jethro Tull at my local venue in St Albans.
YES, IT WAS FULL OF BEARDY-MEN, ALRIGHT?
And it was a nice sedate atmosphere in which to LISTEN to the songs and,
you know, tap your foot a lot and maybe nod your head and think NICE and COOL
and the such-like. Well, all jolly
lovely unless one beardy man two seats down from me decides to give his mate –
next to me – a running commentary on what album each song came from and what
year that was. And occasionally sing
along. His mate had clearly no interest
in Tull nor any discographical details, was often yawning, checking his phone
or at one point actually properly sleeping.
When I challenged the bloke to shut up as we’d not paid to listen to him
(it was St Albans, I didn’t want to call him a cunt just yet) he defended
himself vigorously with a petulant cry of I’M JUST TELLING HIM ABOUT THE BAND,
HE DOESN’T KNOW.
I have moaned in a
previous blog about people that go to gigs and stand at the back chatting,
brainlessly oblivious to the fact that it isn’t rock and roll on stage and so
each heartfelt torch song (again, I am Kloot being a case in point) is
punctuated by the inane chatter of a couple of gig bastards who really should’ve
saved the money and gone to a proper pub that doesn’t provide live musical
accompaniment to your tales of mundane fucking rubbish, you loud-mouthed ARSE!
For some reason, any gig I
go to in Hammersmith finds me seated near to probably the same American girl
with a voice that pierces through the music like an over-amplified violin being
smashed into a sheet of plate glass.
Being English, you put up with it for a few songs, hopeful that she’ll
adapt to our culture, before resorting to a few head-turns and fuck-off looks,
before eventually saying DO YOU MIND? just before the encore.
Finally, a lesser common
gig bastard that I have encountered was Bill Oddie. I say encountered; I saw him walking down the
stairs at the Royal Festival Hall just before a Martha Wainwright gig. (Incidentally, Martha Wainwright herself is a
gig bastard for chastising the crowd I was in at the Roundhouse for being English
and therefore too quiet and making me think, oxymoronically, “fuck off and sing”.) Back to Bill Oddie. He’s not a gig bastard because he spoilt the
gig or anything. He’s a gig bastard
because he’s a bastard and he was at the gig.
And wearing his fucking bird-watcher jacket. Bearded cunt.
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